By Alison Currie
Presented by Adelaide Festival Centre and Insite Arts
An engaging piece of contemporary dance that reminds us of the inevitable reality of our fragile existence.
Concrete Impermanence interrogates global and personal instability through the dynamic use of sculptural objects, moving landscapes, and the body as form. Don’t miss this beautiful meditation on what it means to be human.
When performance art is good it hums and vibrates with energy. It reaches out to the audience and brings them in... Kelty, R 2008, Artlink Volume 28 No 3 (regarding Alison Currie’s 2008 work 42a)
Captioned Performances - All performances
By nature all performances of this work are captioned performances and include a screen with text which describes the aural environment of this dance work and enhances the theatre experience for deaf audiences and those who have difficulty hearing. Text describing the sound score of the dance work will be displayed in real time on a LED screen on stage as part of the performance.
Audio Described Performances - All performances
A headset soundtrack is available at all performances of this work which plays the sound track of this work and an additional verbal description of the performance happening on stage; the movement of the dancers and sculptures on stage. This soundtrack is timed to match the movements of the actions as they happen in real time.
Concept & Choreographer Alison Currie
Dancers Amrita Hepi, Lewis Rankin and Stephen Sheehan
Creative Assistant Carlie Angel
Sound Design Alisdair Macindoe
Lighting Design Matt Adey
Sculptural Objects molo
Costume Anny Duff - Good Studios
Produced by Insite Arts
Image credit: Rodeo