The Playhouse & Space Foyer Bar
Located in the foyer of Dunstan Playhouse, The Playhouse & Space Foyer Bar offers a great selection of South Austra…
Performed in Auslan with English surtitles
Grab your OzAsia Festival Three-Show Pass for just $99* ($69* for under 30s)!
*Plus transaction fee
A poignant portrayal of history and resilience, an evocative journey into a seldom-heard chapter of human endurance and survival.
Deaf Japanese artist Chisato Minamimura unveils the hidden perspectives of Deaf survivors of the 1945 atomic bombings in Japan.
Known as hibakusha, their stories are vividly brought to life through meticulous research, heartfelt interviews, and original films featuring elderly Deaf individuals who endured the events of Hiroshima and Nagasaki.
Using innovative technology to reach a range of Deaf and hearing-impaired people, Chisato champions the resilience of this marginalised group, revealing their struggles in the aftermath of the bombings and the ensuing discrimination.
Image I Mark Pickthall
This venue is wheelchair accessible.
Performed in Auslan with English surtitles
OzAsia Festival is Australia’s leading contemporary arts festival engaging with Asia. It showcases the best theatre, dance, music, visual arts, literature, food and cultural events from across Asia.
Discover OzAsia FestivalKey Creatives:
Artistic Director/Performer: Chisato Minamimura
Producer: Michael Kitchin
Lighting Designer and Production Manager: Jon Armstrong
Animator: Dave Packer
Sonic Artist: Danny Bright
Audio Describer / Writer / Mentor: William Elliot
Vibrotactile Specialists: David Bobier/Jim Ruxton (VibrafusionLab)
Sign Mime Specialist: Tetsuya Izaki
Sign Language Mentor: Steven Webb
Funded by
Arts Council England, Canada Council for the Arts, The Great Britain SASAKAWA Foundation and British Council
Supported / Partnered by
VibrafusionLab, Fanshawe, Ovalhouse Theatre, Ditchling Museum of Art + Craft and Cuspinc
Special thanks
Mayumi Bono (National Institute of Informatics), Mami Kaneko, Tomoe Kurokawa, Fumie Nakagawa, Susumu Oya and Nursing Home: AwajiFukuro-no-Sato
You can enter the Space Theatre by foot from North Terrace, Adelaide Railway Station, Adelaide Oval, or King William Road.
From North Terrace, walk down the laneway alongside SkyCity Casino. From King William Road, you can walk over Festival Plaza (there’s a lift and escalator down to the Dunstan Playhouse level) or along the Walk of Fame from Elder Park.
There is an accessible drop off area located off Festival Drive under the Riverbank Footbridge.
A designated disability drop off is also available 45 minutes before performances. To access this drop off area, turn onto Festival Drive from King William Road, pass the Festival Plaza car park entrance and stay left, driving through the EOS Hotel visitor drop off loop to arrive at the Dunstan Playhouse & Space Theatre access drop off.
The best place to be dropped off by taxi is on King William Road at the Festival Theatre or on North Terrace. There is also a drop off area located off lower Festival Drive underneath the Riverbank Footbridge.
The nearest car park is the Convention Centre Riverbank Car Park.
Once you've parked, the eastern lift will take you to the promenade level where it's a short walk to the theatre.
Go to Adelaide Convention Centre website
Accessible by many forms of public transport including trains, buses, the tram (stop at Railway Station) and a free bus service that operates on a loop throughout the city and North Adelaide with stops on the corner of King William Road and North Terrace.
We want to make your visit as enjoyable as possible and offer many ways to assist if support is required.
Patrons using a wheelchair and those unable to manage stairs can be seated in the balcony or on floor level depending on the venue configuration.
Stair-free seating is available at the upper balcony level only.
Accessible toilets are available at all Adelaide Festival Centre venues.
Every theatre and event/function area of Adelaide Festival Centre is assistance animal friendly.
Space Theatre has hearing loop facilities, limited to particular seats in the venues.
Audience members who require hearing assistance are now able to enjoy the show via the Beyerdynamic Hearing System. Please advise the operator at the time of booking.
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In September, Adelaide Festival Centre's Moving Image Program is exhibiting "On Film" by Emma Hough Hobbs and "The Last Climber Alive Must Keep Herself Fit and Ready" by Erin Coates.
A vibrant array of performances and events are coming to Adelaide Festival Centre this September.
Celebrate the special men in your life with a memorable experience at the theatre.
Adelaide Festival Centre Foundation is proud to support Children's Artspace and its latest exhibition Who Are We?, a powerful visual representation of young First Nations people, their identities and individual journeys.
In episode 12, Jo Peoples and Helen Trepa from our Exhibition and Collections team chat to host Libby O'Donovan about the Performing Arts Collection.
In episode 11, Matt Gilbertson chats to host Libby O'Donovan about the inspiration behind his alter-ego 'Hans'.
In episode 10, Eddie Perfect chats to host Libby O'Donovan about his affinity with Adelaide Festival Centre and his experience as a former Artistic Director of Adelaide Cabaret Festival.
In episode 9 of The First 50, host Libby O'Donovan talks to OzAsia Festival Artistic Director, Annette Shun Wah.
Alberton Primary School took part in centrED's Songlines program. Students spend a day working with First Nations songwriters to get a greater understanding of their culture.
OzAsia Festival 2022 - on demand: A drone, three dancers, and a musician all come together in a spectacular live filmmaking performance.
Bluegrass country meets shamisen (Japanese banjo) in a unique, high-energy music blend.
Tom Kneebone is a touring session musician with a guitar style steeped in pushing the boundaries of Jazz, Blues, and Folk music. Joined by Kyrie Anderson on drums and Dylan Paul on the double-bass.