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2016 Frank Ford

The Frank Ford Commission

Australia to be in the audience for the first show. They had heard about it, had got in touch, and were excited to see the outcome. Fortunately, they were absolutely blown away by the show, and have

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Adelaide Festival Hero

Adelaide Festival

excellence makes for an event of truly epic proportions. Explore the program No results were found More than any other Australian festival of its kind, it offers a place for cultural and intellectual nourishment, a sense of gathering and of community. — The Australian Go to website

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Dame Judith Anderson

interpretations of Medea and Lady Macbeth and was an Academy Award nominee for Alfred Hitchcock’s film Rebecca in 1940. In 1984 Paramount Pictures Studio with a cultural coup had the legendary actress appear as Vulcan High Priestess T’Lar in Star Trek III: The Search for Spock. No results were found

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OzAsia Festival 2024 hero artwork depicting a cartoon scenescape of cats amidst a vibrant background with hues of red, pink, orange, yellow and teal.

Program

Family Friendly Film Special Event Weekend of Words Music Talks $30 tickets for under 30 Filter by Time All Matinee Evening Free shows Accessible shows Apply filters No results were found

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Sir Robert Helpmann

Ballet alongside Dame Peggy van Praagh, his role as the iconic Child-Catcher in the film Chitty Chitty Bang Bang, dancing and choreographing for London’s Sadler Wells Theatre Ballet and having Australia’s premier performing arts award named in his honour. No results were found

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

DreamBIG In the Classroom

with limited availability must be submitted by November 15 2024. Show your interest by filling out the In the Classroom EOI form here. Submit expression of interest No results were found

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

The King and I costume design by Roger Kirk, 1991

with casting and costuming. Fabrics and head-dresses were sourced directly from Bangkok. The King and I was nominated for eight Tony Awards, four of which it won including for Best Costume Design by Roger Kirk

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Don’t Cry For Me, Argentina, promotional vinyl and cover, 1980

Don’t Cry For Me, Argentina, promotional vinyl and cover, 1980 Performing Arts Collection Musical Theatre Expand Credits Year 1980 Description The sets for Evita were made in Adelaide Festival

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Jack Fewster

lifetime he composed more than two hundred and fifty songs, many of which were published. Fewster is best known for his song writing and music theatre collaborations with Tom King, and especially

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Jack Fewster and Tom King archive, 1918 –1932

of the most significant collections is the Jack Fewster and Tom King music theatre archive 1918 –1932. Fewster and King were Australia’s first music theatre song-writing duo, and the archive forms

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Restless dance

Restless Dance Theatre

is celebrated, and all artists thrive creatively.  Go to website Expand Image: Roy Vandervegt Expand Image: Roy Vandervegt Expand Image: Roy Vandervegt What's On No results were found

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The Real Reason People Wont Change HBR

too close to the mainstream made him feel very uncomfortable, as if he were becoming “one of them” and betraying his family and friends. So when people gathered around his ideas and suggestions, he’d

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Inside Her Majesty's Theatre auditorium, side view

The Maj's History

further declined and the theatre’s bars were shuttered after dark. The six o’clock closing restriction was finally lifted by Premier Don Dunstan fifty-two years later in 1967. 1920 – 1929 | The Prince

Digital

BW Bi F Nancy Bates Aunty Betty Sumner Photograph by Colleen Strangways 1
Article
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5 min read

Foundation Impact Stories: Black Women BACK in Focus

photographs, archival materials, and firsthand stories from the Aboriginal women who were at the forefront of the festival in 1985. Curated festival memorabilia, historical photographs, and personal

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Gaslight costume design by Ailsa Paterson, 2020 

Australian arts venue following the COVID-19 closures in March 2020. Audiences, performances and production crew were very grateful to be back in the theatre, despite tough new COVID-19 safety

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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Henri BASTIN

of paradise with outstretched wings were a recurring motif in his paintings. His works are held in other major public collections including the National Gallery of Australia and Heide Museum of Modern

Digital

Todd Mc Kenney Rhonda Burchmore
Audio
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42 min listen

The First 50 Podcast — Episode 3: Rhonda Burchmore & Todd McKenney

with host Libby O'Donovan. Listen on SoundCloud Listen on Spotify Listen on Apple Podcasts Listen on Amazon Music It was the bravest act... mind you I quite enjoyed it! There were 18 pigeons and I used

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