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Adelaide cityscape with Adelaide Festival Centre's white shell-like roofs, a river, bridge, and city skyline in the background.

Gaslight costume design by Ailsa Paterson, 2020

Australian arts venue following the COVID-19 closures in March 2020. Audiences, performances and production crew were very grateful to be back in the theatre, despite tough new COVID-19 safety

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Henri BASTIN

of paradise with outstretched wings were a recurring motif in his paintings. His works are held in other major public collections including the National Gallery of Australia and Heide Museum of Modern

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The Real Reason People Wont Change HBR

too close to the mainstream made him feel very uncomfortable, as if he were becoming “one of them” and betraying his family and friends. So when people gathered around his ideas and suggestions, he’d

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BW Bi F Nancy Bates Aunty Betty Sumner Photograph by Colleen Strangways 1

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5 min read

Foundation Impact Stories: Black Women BACK in Focus

photographs, archival materials, and firsthand stories from the Aboriginal women who were at the forefront of the festival in 1985. Curated festival memorabilia, historical photographs, and personal

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Inside Her Majesty's Theatre auditorium, side view

The Maj's History

further declined and the theatre’s bars were shuttered after dark. The six o’clock closing restriction was finally lifted by Premier Don Dunstan fifty-two years later in 1967. 1920 – 1929 | The Prince

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Premium Packages

. Home How to book Explore our Premium Packages below Upgrade your Premium Package experience with an accommodation package at InterContinental Adelaide. No results were found Premium Packages Terms

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Oedipus the King/Oedipus at Colonus costume designed by Tanya Moiseiwitsch, 1978

Classification / Medium Costumes Description Sophocles’ tragedies Oedipus the King and Oedipus at Colonus were performed by the State Theatre Company of South Australia in 1978. Costume and set designer Tanya

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42 min listen

The First 50 Podcast — Episode 3: Rhonda Burchmore & Todd McKenney

with host Libby O'Donovan. Listen on SoundCloud Listen on Spotify Listen on Apple Podcasts Listen on Amazon Music It was the bravest act... mind you I quite enjoyed it! There were 18 pigeons and I used

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Birds and Butterflies

would like to put a painting in the 2006 first OUR MOB exhibition as they were looking for artists to enter. Parker decided to give it a go and entered her first painting. This exhibition began

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Adelaide Festival Centre - Annual Report 2013-2014

and bistro were completed in 2013/14 and along with the new Adelaide Oval it has given us an insight in our future. We only have to look across the River to see how new infrastructure can drive audiences

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Hongdae in adelaide afc website 2560x1280

Community Event

1 Nov '25

Hongdae in Adelaide

Indulge in authentic Korean street food, K-pop performances and traditional games as the bustling streets of Hongdae come to life in Adelaide. A must for K-culture fans and foodie at Adelaide Festival Centre's OzAsia Festival 2025.

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Digital

Festival Centre staff what their favourite genres were to read. Read article 5 min read 28 Oct 2024 Books and Nooks with OzAsia Festival's Weekend of Words Speakers Ever wondered how writers organize

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David ASPDEN

works were included in the ground-breaking National Gallery of Victoria exhibition The Field in 1968 that changed the national perspective of art. In 1970, Aspden was described as "Australia's leading

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Conchiglie

by the beautiful and simple forms of fossilised shells. These images were implanted in her mind and became the starting point of Conchiglie (meaning shells), which she produced during her residency in Italy

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Windmill Theatre Company

company in the country. — The Australian What's On No results were found Let the play begin with Windmill Play full video Digital Experiences Windmill Theatre Company aims to instil a lifelong love

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River Murray Scenes (And Other Land - and Seascapes)

composed.' As the artwork title suggests River Murray Scenes (and Other Land – and Seacapes) were painted from life on the River Murray near Loxton. Williams’ works have genuinely changed how many

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Paradise Australia

painting in the 1950s while working on a Queensland sheep grazing property owned by art collector and patron Major Harold de Vahl Rubin. Bastin’s naïve paintings were made in the manner of French

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The Frank Ford Commission

various places around Australia to be in the audience for the first show. They had heard about it, had got in touch, and were excited to see the outcome. Fortunately, they were absolutely blown away

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1 Nov '25

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