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The Australian Ballet - The Sleeping Beauty
Kimberly Akimbo
Lisa Simone
Beauty and the Beast
And Then There Were None
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Oedipus the King/Oedipus at Colonus costume designed by Tanya Moiseiwitsch, 1978
Classification / Medium Costumes Description Sophocles’ tragedies Oedipus the King and Oedipus at Colonus
were
performed by the State Theatre Company of South Australia in 1978. Costume and set designer Tanya
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42 min listen
The First 50 Podcast — Episode 3: Rhonda Burchmore & Todd McKenney
with host Libby O'Donovan. Listen on SoundCloud Listen on Spotify Listen on Apple Podcasts Listen on Amazon Music It was the bravest act... mind you I quite enjoyed it! There
were
18 pigeons and I used
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Birds and Butterflies
would like to put a painting in the 2006 first OUR MOB exhibition as they
were
looking for artists to enter. Parker decided to give it a go and entered her first painting. This exhibition began
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pdf
6.6MB
Adelaide Festival Centre - Annual Report 2013-2014
and bistro
were
completed in 2013/14 and along with the new Adelaide Oval it has given us an insight in our future. We only have to look across the River to see how new infrastructure can drive audiences
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Digital
Festival Centre staff what their favourite genres
were
to read. Read article 5 min read 28 Oct 2024 Books and Nooks with OzAsia Festival's Weekend of Words Speakers Ever wondered how writers organize
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David ASPDEN
works
were
included in the ground-breaking National Gallery of Victoria exhibition The Field in 1968 that changed the national perspective of art. In 1970, Aspden was described as "Australia's leading
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Conchiglie
by the beautiful and simple forms of fossilised shells. These images
were
implanted in her mind and became the starting point of Conchiglie (meaning shells), which she produced during her residency in Italy
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Dunstan Playhouse
Stage Plan (67KB PDF) Contact us If you would like to hire Dunstan Playhouse, please get in touch with our Venue Sales team. Venue Sales 08 8216 8600 venue.sales What's On at Dunstan Playhouse No results
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Paradise Australia
painting in the 1950s while working on a Queensland sheep grazing property owned by art collector and patron Major Harold de Vahl Rubin. Bastin’s naïve paintings
were
made in the manner of French
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Windmill Theatre Company
company in the country. — The Australian What's On No results
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found Let the play begin with Windmill Play full video Digital Experiences Windmill Theatre Company aims to instil a lifelong love
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River Murray Scenes (And Other Land - and Seascapes)
composed.' As the artwork title suggests River Murray Scenes (and Other Land – and Seacapes)
were
painted from life on the River Murray near Loxton. Williams’ works have genuinely changed how many
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Media Release
19 Aug 2022
OUR MOB 2022 Emerging Artist Prize winner announced
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Media Release
30 Nov 2022
Adelaide Festival Centre Presents Inaugural Innovate Reconciliation Action Plan
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Media Release
9 Nov 2023
Accolades for Adelaide Festival Centre
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Program
Preschool Kindergarten Reception Year 1 Year 2 Year 3 Year 4 Year 5 Year 6 Year 7 Year 8 Year 9 Year 10 Year 11 Year 12 Learning Age 8 and up Stage 2 Dance Filter by Time All Matinee Evening Free shows Accessible shows Apply filters No results
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Mervyn SMITH
artist and teacher Ruth Tuck OAM (b.1914 – d.2008). Together, they raised three children: a son and twin daughters. From his first exhibition in 1947 until 1993 his works
were
shown extensively
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Australian Dance Theatre
, committed to creating dance works of the highest standard that are intellectually and artistically compelling. What's On No results
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Charlotte TATTON
in 2021. During her studies, she showcased her work in various student exhibitions including “Wish You
Were
Here” and the annual 10 x 10 exhibition at Central Gallery. She was also a finalist
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Legendary textile tales learning resource
– Salisbury East High School, Shyra – Craigmore High School Artworks
were
developed by the students of Salisbury East High School and Craigmore High School with the mentorship of Caitlin Bowe, for Adelaide
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pdf
1.6MB
Adelaide Festival Centre - Annual Report 2012-2013
of programming across the range of our venues meant there was truly something for everyone – regardless of whether you
were
a first time visitor to the Centre or a season subscriber to one (or more
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