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2018 OUR MOB catalogue

. Language groups have been spelt according to the wishes of the artists. Cedric Varcoe b.1984 Ngarrindjeri/Narrunga Ngarrindjeri Country Ngurunderi’s Story Better World Arts Charmaina Kaapa Pitjantjatjara
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OUR MOB Catalogue 2021

.1970 Ngarrindjeri/Narungga/Ngadjuri Moonta Bay OUR MOB 2020/21 Brooke Goyne b.1984 Wiradjuri Yulubirrngiin (Rainbow) Yurruga (Sun) Dawn Likouresis b.1962 Adnyamathna, Arrabunna Protecting the Ocean
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Por Por Programme compressed

, featuring his own compositions, was released in 1974. Throughout the 70s and 80s, Dick championed the inclusion of Asian elements in pop music. His pioneering album, Life in The Lion City (1984), won acclaim
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2017 OUR MOB catalogue

2017 Arts Ceduna Cindy Watson (Dynkardi) b.1959 Pitjantjarjara/Oak Valley Maralinga Bomb 2017 Oak Valley Collette Gray b.1984 Kokatha/Ceduna Women Gathering At Koonibba Rockhole, Sister Girls 2017
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Oz Asia Por Por Programme v3

, Dick championed the inclusion of Asian elements in pop music. His pioneering album, Life in The Lion City (1984), won acclaim for just that but the album that shot him to regional prominence was his
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2015 OUR MOB catalogue

& Progress Association 17 18 JOSINA PUMANI b. 1984 Pitjantjatjara Ngayuku Ngura 2015 Digital print on archival paper, 69.5cm x 49.5cm © Courtesy of Mimili Maku Arts NANCY LAWRIE b. 1975 Mirning
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2014 OUR MOB catalogue

on canvas, 62 x 97 cm Tjutjuna Arts, Koongawa Dundee/Ceduna Collette Gray b. 1984 Kokatha Waterhole, Seashells and Spiral Weeds acrylic on canvas, 90.5 x 96 cm Tjutjuna Arts, Ceduna Coral Hayes b. 1962
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2011 OUR MOB catalogue

Community, Arts and Learning Centre CEDRIC VARCOE b. 1984 Ngarrindjeri people, Point Pearce, Raukkan communities Hunting Emu and collecting fish and cockles DAWN BROWN Yankunytjatjara Umoona
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Adelaide Festival Centre - Annual Report 2009-2010

Guild of South Australia • Costume designs and set models by Mary Moore, 1982-2008 Donated by Mary Moore • Adelaide Festival Centre plaza with fountains model by Hossein Valamanesh, 1984 Transfer from
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Adelaide Festival Centre Foundation - Impact Report 2024

Festival (1984–1992) and fostering a vibrant community of arts enthusiasts. Her unwavering dedication played a vital role in the festival’s success. Through their joint passion, John seeks to honour
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Adelaide Festival Centre - Annual Report 2004-2005

science fiction classic 1984. Project management was undertaken for upcoming iNSPACE programs Reel Dance on Screen and the Leigh Bowery exhibition Mirror Mirror, as well as an associated performance art
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